Eisenstein also played with good and evil a little bit in this film. he did a very nice job of distinguishing between the good guys and the bad guys by simply having one wear white and the other wear a dark color. Of course, in a black and white film, the only thing that can be observed in this aspect are shades. The essence of different shades of clothing truly made this film easier to follow for me as a viewer.
The one minor disappointment for me was that the big guns were not fired. This film had the potential for a very good fight scene in the end, it is sad that this was not pursued. I understand that this scene would require more money in a budget but... boys will be boys(I still wish there was an explosion).
There's no doubt about it: Eisenstein's world is one of black and white (in many senses), where you're either a good guy (and on the side of Revolution) or an evil reactionary. Such a binary depiction of the state of things may not be that realistic--but it surely fits in with the propagandistic message that he is trying to get across.
ReplyDelete